December 5: Rolling Stones Let it Bleed was released in 1969 45 years ago

By Greil Marcus for Rolling Stone Magazine

December 27, 1969

 Let It Bleed is the last album by the Stones we’ll see before the Sixties, already gone really, become the Seventies; it has the crummiest cover art since Flowers, with a credit sheet that looks like it was designed by the United States Government Printing Office (all courtesy of the inflated Robert Brownjohn), and the best production since, well, “Honky Tonk Women.” The music has tones that are at once dark and perfectly clear, while the words are slurred and often buried for a stronger musical effect. The Stones as a band and Jagger and Mary Clayton and Keith Richards and Nanette Newman and Doris Troy and Madelaine Bell and the London Bach Choir as singers carry the songs past “lyrics” into pure emotion. There’s a glimpse of a story — not much more. And like Beggars’ Banquet, Let It Bleed has the feel of Highway 61 Revisited.

On songs like “Live With Me,” “Midnight Rambler,” and “Let It Bleed,” the Stones prance through all their familiar roles, with their Rolling Stones masks on, full of lurking evil, garish sexuality, and the hilarious and exciting posturing of rock and roll Don Juans. On “Monkey Man” they grandly submit to the image they’ve carried for almost the whole decade, and then crack up digging it: “All my friends are junkies! (That’s not really true…)” And there are other songs, hidden between the flashier cuts, waiting for the listener to catch up with them: the brilliant revival of Robert Johnson’s exquisite “Love In Vain,” and Keith Richards’ haunting ride through the diamond mines, “You Got the Silver.”

And yet it’s the first and last of Let It Bleed that seem to matter most. The frightening desperation of “Gimme Shelter” and the confused frustration of “You Can’t Always Get What You Want” give the lie to the bravado of “Midnight Rambler” or “Live With Me.” Not that those songs don’t work — they do, of course, as crunching, soaring dreams of conquest and pop supremacy. They’re great numbers. But “Gimme Shelter” and “You Can’t Always Get What You Want” both reach for reality and end up confronting it, almost mastering what’s real, or what reality will feel like as the years fade in. It’s a long way from “Get Off My Cloud” to “Gimme Shelter,” a long way from “I Can’t Get No Satisfaction” to “You Can’t Always Get What You Want.” (Read the rest here)

Let It Bleed is the eighth British and tenth American album by  The Rolling Stones, released 5th December 1969. Released shortly after the band’s 1969 American Tour, it is the  last album by the band to feature Brian Jones as well as the first to feature Mick Taylor.

It begins with a storming howl, then come shouts about murder and rape, throwing away all conventions. Gimme Shelter, the best song the Stones ever recorded – it’s a force of nature so powerful comparable to no song released before or after. It drips cool and burns with bluesy hellfire.Let It Bleed was recorded as the 1960s were collapsing.It is part of the holy quartet: Exile on Main St., Beggars Banquet, Let it Bleed and Sticky Fingers. Rightfully considered the best albums in The Rolling Stones’ discography.

“No rock record, before or since, has ever so completely captured the sense of palpable dread that hung over its era.” – Stephen Davis, biographer.

Although they had begun the recording of “You Can’t Always Get What You Want” in November 1968, before Beggars Banquet had been released, recording for Let It Bleed began in earnest in February 1969 and would continue sporadically until early November.

Brian Jones performs on only two tracks, playing the autoharp on “You Got the Silver”, and percussion on “Midnight Rambler”. His replacement, Mick Taylor, plays guitar on two tracks, “Country Honk” and “Live With Me”.

Keith Richards, who had already shared vocal duties with Mick Jagger on “Connection”, “Something Happened to Me Yesterday” and “Salt of the Earth”, sang his first solo lead vocal on a Rolling Stones recording with “You Got the Silver”.

Let It Bleed track listing:
1. Gimme Shelter
2. Love In Vain
3. Country Honk
4. Live With Me
5. Let It Bleed
6. Midnight Rambler
7. You Got The Silver
8. Monkey Man
9. You Can’t Always Get What You Want

Gimme Shelter (fantastic version from 2003):

ERIC CLAPTON PLANES, TRAINS AND

Eric Clapton will release a new tour documentary, Planes, Trains and Eric, on DVD, Blu-Ray and other digital formats on November 4th. The new concert film chronicles the Far and Middle Eastern leg of Clapton's 2014 tour and includes 13 live performances, including renditions of classic songs like "Layla," I Shot the Sheriff," "Crossroads" and "Wonderful Tonight." A full tracklist is below.

Along with the live footage, the documentary also features interviews with Clapton and his band — Steve Gadd (drums), Paul Carrack (Hammond organ, vocals), Nathan East (bass, vocals), Chris Stainton (keyboards), Michelle John (backing vocals), Shar White (backing vocals) — and offers a "fly on the wall" look at life on the road, from soundchecks and rehearsals to lengthy train rides from show to show.

Plains, Trains and Eric could prove to be an interesting document in Clapton's storied career, as the legendary, nearly 70-year old guitarist recently told Uncut magazine that he's thinking of quitting life on the road. "The road has become unbearable," he said. "It's become unapproachable, because it takes so long to get anywhere. It's hostile – everywhere: getting in and out of airports, traveling on planes and in cars."

Clapton expressed the same sentiment to Rolling Stone last year saying, "When I'm 70, I'll stop. I won't stop playing or doing one-offs, but I'll stop touring, I think." To that end, Clapton added the live shows themselves weren't a problem at all, but the extensive traveling was beginning to take its toll.

Still, Clapton plans to keep playing and working in the studio — within reason, at least: "I don’t want to go off the boil to the point where I’m embarrassing myself," he told Uncut.

Clapton recently released his latest studio effort, The Breeze: An Appreciation of JJ Cale, which paid tribute to the late blues legend and found Slowhand teaming up with a number of high-profile collaborators including Tom Petty ("The Old Man and Me"), John Mayer ("Don't Wait"), Mark Knopfler ("Train to Nowhere," "Someday") and Willie Nelson ("Songbird," "Starbound").

Planes, Trains and Eric tracklist:

1) "Tell The Truth"
2) "Pretending"
3) "Crossroads"
4) "Driftin’"
5) "I Shot The Sheriff"
6) "Little Queen Of Spades"
7) "Layla"
8) "Wonderful Tonight"
9) "Key To The Highway"
10) "Before You Accuse Me"
11) "Tears In Heaven"
12) "Cocaine"
13) "Hoochie Coochie Man"
14) "High Time" (Credits – Audio Only)

Peace Train… Late Again Tour kicks off its North American leg at Massey Hall in Toronto, Canada! Here's a taste of what's to come...

Post by Yusuf / Cat Stevens.